#Creatives working with #BillAlexander on brand new 6 character version 'A Merchant of Venice' November 10 - December 4 2021
- The Chronicle Theatre Company
- Oct 3, 2021
- 3 min read
Updated: Aug 20
Highly experienced Sara Perks will design the set and costumes, Ryan Day will design the lighting and Sarah Sayeed the sound and music
SARA PERKS
Sara has designed in the region of 250 productions, for a wide variety of theatres, venues, sites and genres. She has a BA Hons in Drama and Theatre Studies; and trained in Theatre Design at Bristol Old Vic Theatre School.
She has been nominated for both Broadway World Awards ( Set Design , and Costume Design) and a Whats On Stage Award ( Set Design) for American Idiot; an Offie - for Oranges and Elephants; and holds an Edinburgh Fringe First; The John Elvery Theatre Design Award and a Vision Design (Costume) Award from the BBC.
Projects in the past 3 years include Around The World In 80 Days ( York Theatre Royal - tour); The Mold Riots ( Theatre Clwyd); Beauty Queen of Leenane ( Hull Truck and Hornchurch) Artistic & Season Designer (2019) for Shakespeare’s Rose Theatre York - Hamlet , The Tempest, Henry V; Twelfth Night - and Blenheim Palace, Oxford - Macbeth( 2018 York also), Midsummer Night’s Dream(2018 York also), Romeo & Juliet , Richard III; ( Lunchbox Int); American Idiot ( Selladoor) International tour; Babe - The Sheep Pig ( Mercury); and a site specific Mother Courage (with Pauline McLynn) for Red Ladder in Leeds. Tours last year have included a UK tour of Brighton Rock for Pilot & York Theatre Royal, in a new stage version by Bryony Lavery; a UK tour of a new version of Turn of the Screw by Tim Luscombe( 2019 & 2018) ; national and Asian tour of a brand new production of Spamalot ( Mercury and Selladoor) and Finding Nana by Jane Upton for New Perspectives.
Please see saraperkstheatredesign.co.uk for more information about her work.
RYAN DAY
I am a London based lighting designer, working in theatre, dance and opera. I enjoy working in close collaboration with the rest of the creative team, introducing and containing great working relationships. I also work as an assistant and associate lighting designer.
I am a member of the Association for Lighting Production and Design and trained at The Royal Central School of Speech and Drama, studying theatre lighting design.
Please see ryandaylighting.com to read more about Ryan's work
SARAH SAYEED
Sarah Sayeed is a musician, composer, sound designer and writer with over 15 years of experience working collaboratively with a range of artists and organisations.
As a musical artist, her practice focuses around contemporary works that are influenced by a plethora of styles and musical traditions. Sarah has created compositions and sound designs across Western classical choral works, Indian and Bengali classical vocals, instrumental pieces and her first love: contemporary jazz, soul and hip hop. Sarah plays instruments tanpura and shruti, and is the lead vocalist in international duet Myth of Her with violin and electronic artist Anne Eltard (Copenhagen, Denmark). Sarah is currently training in classical vocals with leading Classical Indian Music maestro Swati Natekar and was the successful recipient of the Portfolio Composers Scheme in partnership with Sound and Music and Kuljit Bhamra.
Sarahs credits include Composer and Sound Designer for Santi and Naz (The Thelmas), Composer and Sound Designer for We Are Shadows (Tamasha), Principle Musician in Richard 2nd at Shakespeare's Globe (2019, Composer & Musical Director for the Royal Shakespeare Company adaption of Moliere's Tartuffe (2019/2018) and Sound Designer for Contact Theatre's production on Suffragette Movement, She Bangs The Drums (2018). She is currently working on Intention, directed by Kash Arshad (co-production with Graeae and Tamasha) and will be working on A Merchant of Venice with Shakespeare in Italy, directed by Bill Alexander this autumn.
Sarah's website for more info is sarahsayeedartist.com







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